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January 22, 2008

Is It Fact or Fiction?

One of the more interesting ideas that has come out of pondering writing down these family stories is wondering where the line truly lies that divides fact from fiction. Many of these stories are strands and tatters of old memories of stories my grandmother told. Others come from late nights talking with my mom when she was waxing poetical and sentimental. I'm sure all these stories are colored by time and faded with changing spotlights as they have rested in the memories of those that kept them alive. There's a part of me that thinks writing these down as I remember hearing them would be memoir but in reality there would probably be so much speculation and imagination that they would really be more fiction than fact. And then there is that question of what to do with all the other real people and families that populate these stories. Fiction allows one to change names and places, somewhat protecting the innocent as well as the guilty.

This is the part of the process that is intriguing me right now, the part that has me ready to write. I'm not sure I need to know if it's fact or if it's fiction. My reasons for writing have nothing to do with the history. They have much more to do with the emotional development of these characters that formed my own emotional development.

Have any of you been unsure when you started whether you were writing fiction or non-fiction? Perhaps this is where that strange term, creative non-fiction comes in? I've always wanted to know why that wouldn't just be fiction? How would you know what was made up and what was true? I don't think that matters in a story, in a fiction but when I'm reading what I think is non-fiction I want to think the author is giving me the truth to the best of their ability. Any thoughts on this?

January 21, 2008

Getting Started, Making a Writing Map

Thanks to everyone who commented on my last post. I started to reply to the comments everyone left then decided to make a general reply here. It seems to me that all writers and artists ultimately have to choose the way they are most comfortable working. Most aim for spontaneity, claiming that art and creativity must be spontaneous and free flowing and I agree that the best way to begin a project is to let the ideas flow from wherever and let them flow to wherever to get an idea of how things might develop.

At some point, however, doesn't the artist or writer need to shift from this loose brainstorming sort of place to a place of purpose? Well crafted writing, painting, choreography, screenwriting, etc. may start out as an exercise in spontaneity but it also seems to share a strong sense of purpose. Good creative work has good bones. Even the most free flowing and eclectic work usually has a good strong base of belief behind it. It seems that the author or artist has a focus that drives the work, even when they don't know exactly what that fragment of the work may mean or do at the moment of its inception.

I see a lot of artists and writers who start a lot of projects with lots of enthusiasm, creativity and excitement but when they reach a bump in the road or make a bad turn they get discouraged and disgruntled and give up before finishing. They get lost in their own work, it seems to me. They seem to lose their sense of direction, their sense of purpose.

While you're writing, painting, dancing, acting, etc. do you have an interior map that you follow? When working on a specific project do you know what you want the outcome to be? I often use Natalie Goldberg's style of getting started when I am beginning a project but even when I am writing my nature columns I have an end in mind when I begin. I know where I intend to go even if I sometimes digress and leave the path for a bit. As I put together this project of family writings in my mind I find I am piecing together a puzzle for myself. Where I am going isn't exactly clear yet but it is starting to take a shape for the first time in years. Some of you seem to suggest you don't worry about an end, that you let a project take you along for the ride and wait to see where it ends up. Is that true? Has that been successful for you in terms of having a completed project?

I love the idea of spontaneity and letting our creative juices flow but as I settle down to work I find I believe that all that flowing needs a little structure, maybe a lot of structure, if I am to be able to concentrate on getting the writing or painting done. I don't need an outline of every page or even every chapter as I begin but I find I am charting a map in my mind that is beginning to take me from A to C to M and hopefully eventually Z. I think I know where Z is but I'm missing P, Q, T and W. At this point I feel that's ok, that I have enough to get started with already but I also feel that if they don't appear to me pretty soon I will have to stop and hash it out for myself in some brainstorming sessions.

Have you finished a book? Did you know where you were going? Did you have a plan or did you just free flow your way through it? This is a huge and exciting project for me and I'm very curious to know how other writers tackle putting together a book.

 

September 14, 2007

Family Myths and Stories

Dsc07077 Many years ago I read that all families have basically the same myths and stories. The names, places, timelines and circumstances vary of course but the thesis was that the same themes run through all family stories that get passed down through generations.

If I remember correctly one can count on every family having a story about a black sheep, a lost fortune, love gone wrong, talent unrecognized, a fateful encounter and so on. This idea fascinated me so much at the time I admit I look for it and so far I have not been disappointed. There is something so universal about family life, especially extended family life. The whole multi ringed circus and drama of humanity plays out in each of our lives if we are open to seeing it.

In my family there were all these stories and more. Many of the stories revolved around those who tried to raise themselves out of immigrant status and uneducated poverty using only their bootstraps, integrity and faith. The reality of these humble but proud stories often differs from the stories we were told growing up and as I go through my mother's and grandmother's things more and more pieces of certain puzzles fit together.

Dsc07079 My mother was in love with the idea of talent. She was sure it was inherited and she would try to trace every bit of musical, literary or artistic flare of talent to someone who had come before. In her mind we were all connected by a very complicated genetic maze with many arrows and notes.

My mother wanted to be a writer but she had too much fear and too huge a self editor living in her to ever actually do it. It made me sad to realize as she got older and older that she was really never going to do it. She left nothing but some notes and attempted starts at a play she was going to co write with a friend many years ago. She read voraciously all her life and read writing and literary magazines and journals,too, hoping someday to write and submit something wonderful. In some ways I think the family myth of unrequited talent was way more powerful and intriguing to her than any lost fortune or love gone wrong, though she had both of those, too. There was a dark romance to talent unrealized that was both thrilling and seductive to her.

Her father had been very poor but well educated, his Irish German family convinced that education would guide him out of poverty. He worked as a salesman most of his life but also wrote short stories and poems, many of which he submitted to various publications and publishers in the 1930's and 40's. My grandmother would labor over the typewriter after the children were in bed, transcribing word for word his sentences and paragraphs. He sent out lots of inquiries and recieved lots of rejections. From what I know, he was never published and eventually gave up. I have boxes of his stories as well as the rejections he got for each of them.

Dsc07081 As I look over his writing in light of some other things I have learned I wonder why he didn't write what he knew. He wrote mostly pulp mystery sort of things, something he certainly didn't know much about. In one of my grandmother's boxes I found a set of paperback mysteries with a note inside. They were written by my grandfather's best grade school chum. Was he trying to emulate him? There's no one left to ask.

Dsc07082 In the meantime the stories, which really weren't very good, will fade away, as will any memories of this man who made such deep impressions on his daughters. They are all deceased now. I hold the envelope with what's left of these faded dreams. Do I toss it? Will anyone else ever care? It's a funny thing to be left with all these family papers, linens and photographs. I don't have room for them all. And somewhere inside me stirs a story and a series of collages to keep these humble memories alive.

June 30, 2007

Some Thoughts on Writing for Newspapers

When I wrote my first column for a newspaper it was just a short little thing for a local weekly about what birds were around each week. It gradually grew into a more general column about what was happening in nature each week and is now called Weekly Nature Watch, including thoughts and notes on plants and animals and of course, birds. It's a little bit philosophy, a little bit nature watching and a lot of fun. I write another column, too, for another paper called Nature's Ways which is a little more general and about broader topics, like the life cycles in the marsh, spring wakenings, things like that.

Lately I've been invited to write about art related things and as I get more used to it I find myself doing quite a bit of interviewing and reporting, something pretty new for me. Mostly I like it. What I don't like about it is when I've read lots about the person and the show or performance or book or whatever and I'm told I need to ask the author, artist, etc. how they came to write, paint, perform, etc. and other such mundane topics. Often this information is in the press packet or email I've received or at the exhibit, in the introduction, program, etc. One author was insulted I asked him such mundane questions. We ended up having a great talk and I got lots of good information which I used in the article later. My editor was not such a fan; he wanted more basic stuff, so I had to rewrite it and leave out what I thought was more interesting.

This week I turned in an article about a woman who has published many books on a single topic and who is putting photographs related to the subject up for exhibit in an area museum. Her husband was in surgery this week and I opted to read all her background info instead of disturbing her. My editor is holding the article until I ask her how she came to study this subject, etc., all information I feel is redundant.

So how do writers deal with this? I agreed to call her and ask her the questions and I know myself well enough to know I'll be asking her other questions as well and will totally rewrite the article. I understand editors want relevant and interesting information in their papers. I also know that 500 words is not exactly an in-depth article. Do I just bow to the mundane or figure out a way to deal with this a little differently and hope my editor goes along with my ideas eventually?

To be sure, I understand that readers want and need basic information. My problem is that most of that information is included in the press packet and it is unnecessary to pester the artist, writer, whoever, to repeat themselves as if I didn't read the background info....any suggestions?

April 17, 2007

Pretending It's Spring

Redwinged_blackbird The rain and wind of the nor'easter is back today and has made for a miserable day if you've had to be outdoors. Fortunately my two hour outdoor walk was canceled due to the weather. I could have done it but I have to admit I was pretty happy it was canceled.

It sure doesn't feel like spring around here.

Yesterday morning after the first part of the storm had passed and the sky lightened a bit the robins began to sing. First one, then another and another. They have such a lighthearted song, it's hard not to smile when you hear it.Robin_singing

These two ink drawings are illustrations I did this week for my two weekly columns. This is a three column week since my monthly column was also due.

I am looking for ways to bring in more income with my writing. I do a lot of writing but don't make very much money from it. I know there are ways of self syndicating small columns like mine and am hoping to look into that soon with one of my columns.

Anyone out there have any ideas about how to go about that?

April 12, 2007

Watercolor Shorebirds and Article Writing

Dsc06057

More little bird paintings in my moleskine sketchbook today. Nice and wet watercolors for a wet, windy day. It's been nasty and cold most of the week and I, for one, am ready for some real spring....

Dsc06059 I am disorganized this week and it's not a good week to be disorganized. I have my taxes to finish, my studio to pack up and clean out, several orders to pack and ship and one more interview to do for a magazine article I'm working on.

I've gotten lots done this week but mostly it's been writing and teaching so I'm behind in other areas. That's not exactly new but is difficult to balance, for me anyway. There's always something left just a bit out of the mix that keeps me from really being productive.

Today four publications came out carrying my writing. They are all small publications but it's still pretty cool, for me, anyway. There are two articles on local authors in the Cape Cod Times. You can read one of them here. There are my columns, "Weekly Nature Watch" in the Enterprise papers and "Nature's Ways" in the Cape Codder and then an article on home offices in a home and garden supplement for the Barnstable Patriot. I don't think any of them are online.

So back to balance.....my goal for the rest of the year really should be to find some with all the things I like to do, all the things I commit to do and all the things I want to do....as an artist, writer, naturalist, teacher.....and wife, mom, grandmom, sister, aunt, friend, mentor......busy days.

April 09, 2007

Roots & Shoots Egg Decorating and Some Book Reviewing

Dsc06006 Sorry I've been so lazy about posting this last week or so. Saturday my Roots & Shoots group braved the freezing (and I do mean freezing!) weather to set up their egg decorating table. They were collecting donations for an international tree planting project sponsored by Roots & Shoots and the Jane Goodall Institute.

We brought Peter Rabbit, of Thornton Burgess fame along for the day, since our group is officially sponsored by the Thornton Burgess Society.

Dsc06011 The day was not as busy as the girls had hoped but they remained enthusiastic and good natured throughout. They collected donations of $5 per family and raised over $100, which was not a lot in the big world of finance but was pretty good considering the really rotten weather. All the money will be donated to the Plant a Tree project in Tanzania.

As I get ready to close my shop people have been dropping in to say good bye and good luck and also to see if I'm having a close out sale. I'm not. I have homes for most of the work and decided to discount the few things that would not be moving on to other shops. This has surprised some people, I think, but I wanted to be clear that I wasn't going out of business, just moving and changing the way I'm selling. If I needed confirmation of my decision, the last week or so I've received several major orders....all from the internet. I rest my case.

This past week I've been back in the classroom, working with the Audubon Society and have to say I'm glad to be back in this way. I only do it once or twice a week and not all year long so it's fun instead of duty. I think this new way of working is going to suit me just fine.

Dsc06012 When I knew I was giving up the shop for real I let the editors I work for know I would be happy to have more writing work. Several obliged me immediately, giving me some fun free lance assignments. Today I finished two articles that included reviews of these two books and interviews of their authors, some of the most fun pieces of writing work I've had in awhile. The books and authors, Mike O'Connor and David Gessner, were both quite different but both were easy to talk with and the whole experience was pretty exhilerating. I am so lucky to be able to do this work that actually feels more like play than work. Putting the articles together takes time and a lot of thought and care but the end result is a finished piece that has taken on a life of its own by the time I'm done. I'm so grateful to have these opportunities and I am learning so much, about writing, about interviewing, about having an idea and letting it grow....The two articles will run side by side in the Cape Cod Times on Thursday this week. Life is good.

March 31, 2007

Becoming a Free Lance Writer

There was always a mystique about writing in my family. My mother wanted to be a writer. She began her college career at Northwestern as a journalism major but due to a family crisis she was forced to leave there before her freshman year was even over. She then took some classes at Bridgewater State College, met my dad, got married and had me....all before she was 22. She became a church secretary later in her life and then a bookkeeper for a housing authority.

She began a novel when I was in junior high school. It was going to be a historical romance about the Revolutionary War on Cape Cod but this ended up being a frustrating exercise for her. First, she discovered that the ornery Cape Codders were mostly Tories and this distressed her. She was looking for Patriots, for Pete's sake. Then, her characters insisted on having minds of their own and she found this frustrating, not exciting. When a new character appeared out of nowhere it creeped her out and she never picked up her writing again. She talked about writing a lot. She read voraciously, but she never wrote anything else. My grandfather, her father, was supposedly an aspiring writer. He even sent a few stories in for publication but was never published. Recently I have seen some of the stories he sent in and let's just say I'm not surprised they weren't published.

I started writing when I was in elementary school. I wrote stories, mostly about girls and their animals or girls that ran away disguised as boys on wild adventures. Pirating, stowing away on a whaling ship and being a hero in some exotic place were my big themes. I read everything I could get my hands on, loved to draw, loved animals and had a very busy imaginary life going on in my head. As I got older teachers told me I had to choose. I had to choose between science and art, music and art and finally, writing and art. I put away my notebooks of poems that I spent my high school years amassing and concentrated on my sketchbooks.

When I was in college I had a brief fling with writing once again. I even had some pieces published. Again, my professors told me I needed to concentrate (this has been a theme in my life ;-) and so I gave up writing once again. Until I went back to graduate school about 12 years ago. There, a professor urged me to write more. And it was such a relief. For the first time in a long time I felt whole again. I love to write. I'm not sure I'm very good at it, but it's another way to filter my world, another way to pay attention to what is going on around me.

I have always kept a journal and about 6 or 7 years ago I started doing morning pages as suggested by Julia Cameron in the Artist's Way. I read Natalie Goldberg, Anne Lamott and others and I started to write again. At first I wrote about my family, my experiences as a kid, people and places I remembered. They were short pieces and more like journal entries than essays. It felt great.

While working as a full time naturalist about 6 years ago I contacted a local weekly paper and asked if they would be interested in a weekly accounting of the bird sightings in the area. The editor said yes immediately. She said she couldn't pay me and I was so excited that someone said yes that I didn't care. My articles for this wonderful little weekly got longer and longer and became a 750 word column or essay called "Weekly Nature Watch" which I illustrate with ink drawings. After the first year I was invited to do a column by another weekly paper with wider circulation. They could pay me. I negotiated with the first paper, which after all had given me a start, and soon I was writing two weekly columns, the second being called "Nature's Ways", a more general column about nature through the seasons. I began a monthly column, "Neighborhood Nature" with another weekly, all with illustrations. The best part of writing these columns is meeting my readers, who tell my their own stories and who seem to really enjoy what I write.

As time has gone on I have begun to be published by the local daily paper and a fine arts magazine. I have learned to deal with different editors, different sorts of deadlines, copy editors, design professionals and my own schedule. I've learned how to write even when I don't really feel inspired and how to create my own inspiration. I've learned to accept assignments, create assignments and to accept editing and suggestions. I'm even making a little money. Even the original paper now pays me a small honorarium and I make a little more than the average writer in the United States, who supposedly makes about $8000 a year. Not bad for someone just writing for fun!

I am writing all this here because lately I have run into several people who say they want to write but have all sorts of excuses not to do it. One woman I know says she wants to be published but she would never accept editing. She says editors are wannabe writers, why should they get to correct her writing? Wow! Being published is almost always going to involve some editing. I don't get edited a lot but when I do it always makes the piece stronger, tighter, better written. I have a copy editor at one paper who can't let more than two consecutive weeks go by without calling me on something, even a small word change. We laugh every time she calls me. Sometimes I don't agree with her but almost always her suggestions point out something that makes the piece better. And even when I don't agree with her, I usually know in my heart she's right and we make the change. Another editor I work with never checks with me but makes subtle changes that always make the piece better. He sometimes drops sentences or rearranges words I thought were fine and I have to say, it amazes me how clearly he can see the end he wants and how gracefully he pulls it all together. He has a light hand; he doesn't change a lot, but it is done inobtrusively and well. I never understood all those writers who profusely thank their editors but as I work with more editors I get it. Writing has much more of a collaborative element than a beginning writer might think. The page designers are right in there, too. They can make or break your story with placement, arrangement and presentation. I'm grateful for all they do.

Another writer I know doesn't publish because he wants to write for a well known paper right away. He's waiting tables instead. A former class mate of his writes for the local daily, is getting lots of experience under his belt and is becoming a strong and interesting writer. Which one do you think will have the better chance of getting to write for the well known paper?

I am grateful to be able to do the amount of writing I do. I have new goals for my writing this year and will be posting about some of them in the near future. My own experience shows that writing for free or for small honorariums is one way to start. It has certainly gotten my work out there and now I have a very full portfolio and resume.

Do you write? Where do you publish? What are your writing goals?

February 01, 2007

Cape Cod Groundhog Day Article

If you're interested in learning a little more about groundhogs as we celebrate Groundhog Day tomorrow you might want to check out my most recent article published today in the Cape Cod Times. The illustration for the article is by the newspaper's artist, James Warren, not me, by the way. I do illustrate my weekly columns in the other local papers but the Times has their own illustrator on staff.

December 12, 2006

Breast Cancer Articles Now Online

Dealing_with_diagnosis_1 All seven articles of the series I wrote about breast cancer for the Enterprise newspapers are now online at this link.

I hope you will check them out and give me some feedback!

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